Type and Media is a master’s course in typeface design at the Royal Academy of Art in The Hague (KABK) . In the first semester students have several modules to complete that are interspersed with a set of enlightening workshops covered by guest lecturers. During the second semester, students focus on their thesis project. This site showcases the final projects of the class of 2020.

A big thank you to the faculty and supervisors at Type and Media for their expertise, wisdom, and support during this especially difficult year: Erik van Blokland, Peter Verheul, Paul van der Laan, Peter Biľak, Françoise Berserik, Frank Grießhammer, Petr van Blokland, Marja van der Burgh, Tânia Raposo, Fred Smeijers, Just van Rossum, Jan Willem Stas, Ilya Ruderman, Aleksandra Samuļenkova, and Kristyan Sarkis, and Mário Feliciano.

This year we had online visits, talks and lectures from friends and colleagues from all over the locked down world. We are grateful and happy that they took the time to join us: Paul Barnes, Ken Barber, Diana Ovezea, Kai Bernau, Nikola Djurek, Liang Hai, Thomas Huot-Marchand and the ANRT students.

Thank you to all the generous people who made our exhibition and this showcase possible:
Jack Curry, Arrow Type, Antonio Cavedoni, OHno Type Company, Ben Kiel, Commercial Type, Andy Clymer, Mark Davies, Christoph Koeberlin, Arthur Reinders Folmer, Matthijs Sluiter, Frank Grießhammer, Liang Hai, Martin Tiefenthaler, Letterspace Amsterdam, Michi Bundscherer, Susana Carvalho and Kai Bernau, Krystian Sarkis, Mathieu Lommen, Dirk Uhlenbrock, Mark De Winne, Erik van Blokland, Albert Pinggera, Paul van del Laan, Nikola Djurek, Rasmus Andersson, Daniel Grumer, Troy Leinster, Lettermin, Noheul Lee and Loris Olivier, Marina Chaccur, Exlijbris FF, Jim Catel, Alexander Kremser.


Website by Nina Botthof, Renan Rosatti & Jan Šindler.

The typeface used is Obviously by OHno Type Company.

Jovana Jocic's header

Petria

Petria is a typeface inspired by old Art Nouveau signs and the overall art movement present in the Balkans during the early 20th century. Its styles were born out of the idea of designing a type family that would be used for inner city signage and way-finding for the city of Belgrade, Serbia. The multi-script aspect of the project was the main focus.

Latin and Cyrillic were the main focus, but that evolved into successfully depicting its character and rich history. Jovana wanted to treat this typeface as if she were trying to describe a person through letterforms. Capturing in essence the character of Belgrade and and all the feelings associated with it. Petria had a clear idea, both when it comes to its aim and application. With Jovana’s graphic design background, she was used to creating things for a strict purpose, so drawing a typeface that she could treat in a similar way seemed like a promising opportunity to learn what would be essential for a project like this. It became a process of understanding how to channel the energy Jovana wanted its shapes to carry, while still serving its initial purpose.

Jovana Jocić

Jovana Jocić is a type and graphic designer from Belgrade, Serbia. After obtaining a BA and MA in Graphic Design at the University of Applied Arts in Belgrade. Jovana moved to the Netherlands, where she dedicated a year to drawing and learning about type. 
Passionate about type, louder than life, and fascinated with designing Cyrillic and Latin typefaces, Jovana likes to spend her free time sketching and working on lettering pieces. When not in front of the screen, Jovana enjoys the outdoors and is a competitive, passionate skier.

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Process

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TM20: Jovana Jocic from TypeMedia MA on Vimeo .